Welcome to part two on the construction of the
My Small World quilt-along and if you've been busy working away you should now have a good idea of the challenges that you will come up against making this quilt. You can read John's post for part one and he mentions a few cheat ideas that may appeal to some of you. From what I've read from magazine stockists, the Spring Special edition of Quiltmania was the last of these kind of Spring Specials, it is sold out at Quiltmania and this magazine is being replaced by other specials like Simply Moderne which comes out at the end of June. It is still available
at some UK stockists, including
Contented Cat. Quiltmania have removed the errata section from their website but
the PDF link is still live and another
here and you can refer to Katy's extensive list
here.
So far, I am loving it but I like small piecing, templates and scrappiness so it is all happy happy in my quilty world! I have been using my vintage Bernina with a generic Bernina quarter inch foot to piece and it really helps with accuracy. I am going to work through some of the features of part two in the order they appear in the instructions. I made all my sky sections in advance so I am working below that point.
Applique
For the appliqué circles I like to use
Karen Buckely's perfect circles. The largest circle from her small circle pack was the right size for the template. Her method can be seen
here. I used the brass
'Wonder Wheel' guide to create the seam allowance. For the background fabric on any of the appliqué blocks and sections, I like to cut larger and trim down afterwards. You can see in the picture bottom left, I traced the actual size of the finished square on the reverse and which helped me position the circle. I also like Clover appliqué pins and
Jeanna Kimball's Foxglove cottage straw needles are my favourites for appliqué.
Alternatives Methods
- Use raw edge appliqué and fusible web
- Silver foil and card (good for other curved shapes
- Freezer paper can be used for the perfect circle method. Freezer paper can be used as a double layer if you want it thicker. Place two layers together, the second layer goes waxy side against paper side of the first layer so there a paper side remains on top and a waxy side underneath when they are joined together.
- Interfaced applique
Sewing Applique
Matching your thread to the fabric you are appliquéing on to the background. With a knotted thread, I push my needle from the back so the needle point comes out in the folded edge of the circle. Then, the needle point is positioned immediately just outside the place it has come through and into the background fabric so the stitch is tiny. The needle travels underneath by just over ⅛" and less than ¼" before it comes up again in the circle's folded edge. The needle goes down as before and the stitching continues. The front has tiny stitches that you pull tight as you go and the back has long stitches where the needle travels on the back. Once the circle has finished, trim the square to the required size keeping the circle central.
Triangles
I used the templates for the triangles. The pencil line provides precise points to pin when you join the pieces. I pin using
this method. You could also foundation paper piece if you prefer by using the templates to draw a foundation. Sarah of
Pixelsandstitches has done this and is offering a
free template which could easily be traced and adapted to create the strip of triangles in one template. With all the blocks, I check the size as I sew and trim down if needed. Some of the pinwheels from part one came out slightly big so I trimmed down to size.
The Arched Shape
Back Basting
I thought I'd try a couple of methods for this shape to see how they worked. I tried back basting which I haven't done before so this is a beginner's explanation of the method. I drew the actual size of the squares on the reverse as a guide and then around the template where I wanted the final arch to be but again on the reverse.
Then, the fabric to be appliqués is pinned on so that the wrong side is lying against the right side of the background. Stitch a line of running stitches on the pencil line. Mine are in lime green. On the right side, trim the appliqué fabric ¼" away from the stitches to provide the seam allowance. It helps to run chalk over the top of the stitches and stitch line too, use something that will easily brush out. Then the tricky bit! Undo a few stitches at the bottom right corner- around an inch, and using the needle tip, push the fabric underneath. With your appliqué thread matching the fabric, sew the beginning of the arch shape to the background stitching as with the circles.
That is the basics of the method. The curve is tight so it does help to snip into the seam allowance to allow the fabric to turn in more easily- the clip just stops short of where the fabric will fold. I found this method a little fiddly and it made my hands ache. The reverse side will have long stitches on as with the circle.
I also tried the freezer paper method. I iron the freezer paper replica of the template on to the reverse of the fabric and using my fingers to press the fabric around the edges of the shape. Then I squirt some non aerosol starch into a container and paint this onto the seam allowance and use the tip of an iron the fold it over being very careful of my finger tops. I then press from the front and allow to cool before removing the freezer paper and pressing again. Then I pin in place and sew on as before. I prefer this method.
Orange Peel Shapes
I use the freezer paper method for the orange peel shapes but you could use the alternatives suggested for the circle. Other tips:
- Trim the corners to a slightly smaller seam allowance. These are hard to turn neatly and without bulk.
- Use a larger square for the background and mark the actual square size on the reverse, as with the circle.
- Press the diagonal lines on the square to help alignment- see diagram.
- It seems to work better in the centre if there is a light gap between the orange peel pieces rather than actually touching.
- I sew starting near the start of the centre point, sewing up to the point, tucking the excess fabric under the point and stitching round. More stitches are needed at the tip of the points.
I haven't included the churn dash, triangle and arrow blocks as they are more basic quilt blocks and piecing methods are easy to find via Google. It is worth noting that the centre square in the churn dash blocks is a B square not an A and this is not mentioned in the cutting instructions. The only other thing I took care on was getting each block to the desired size. I haven't stitched my first two sections together yet but you can see how they look. It is a bit of a scrappy mish-mash but a very happy one!
Before I start part three which looks pretty straightforward, I am prepping the various hand sewing sections from parts four, five and six for some forthcoming trips away. How is progress for you? You can post your pics on Instagram using the hashtag #mysmallworldqal or add to the
Flickr group.
