Monday, 11 July 2016

The Farmer's Wife QAL blocks 83 and 84, Poppy and Posy

Welcome back to two more blocks in the Farmer's Wife quilt-along.  I keep feeling that the end is in sight and I've nearly finished and then a block like 83, Poppy (p.242, letter p.122) gives me a reality check, kicks my sewing butt and reminds me how long a single block can take to complete- about 4 hours in this case!  Sarah Edgar is guest blogging on this block, read about her experience here.


Fabric Credits
Gracie's School House Classics Dotty Blue Blossoms (Judie Rothermel for Marcus Brothers)
Moda solids Betty's Green
Pink bubble repro print
Unknown repro feedback print (for the fussy cut kettle)

Block 84, Posy (p.243, letter 115) is another block featuring Y seams which take hours to sew- I hope I'm selling it to you; both these blocks take time but they are rather impressive once finished.  The rest of the block is straightforwards if a little fiddly but the little triangle background pieces  are all inset and need a Y seam.   I've done a few Y seam posts now so I recommend you check this detailed tutorial out here.


Fabric Credits
Kona Corn
Robert Kaufmann Morningside Farm, Daisies Lake, Darlene Zimmerman
Unknown blue grid floral

{For both blocks, I link to sponsor shops for fabric bought from them and elsewhere for other fabrics}


Rotary Cutting 
These are for foundation piecing so are cut larger than needed with any exceptions noted below.
  • Small half-square triangles: cut 4 (1 ¾") squares; sub-cut each square in half along the diagonal to yield 8 HSTs
  • Centre square: Cut (1) 1 ⅜" square
  • I1, I3,R1, S1: cut (4) 1 ⅜" x 3 ½"rectangles
For all other shapes, I used the freezer paper template method

Top Tips for Foundation Piecing this Block
  • Pre cut all pieces
  • Use a water based glue stick e.g. Sewline, to stick the first piece of fabric on each section
  • Chain piece where possible
  • Follow the Y seam method here, including marking where the Y seam intersections are

Here are some more nine-patch blocks to add to my collection, 15 in total so far.


  • You can share your farmer's wife quilt blocks with the hashtags #fw1930sqal and for these blocks either #Poppyblock or #Posyblock as well as #fw83Poppy, #fw84Posy
  • If you want me to take a look at your blocks, tag me on Instagram, I'm @verykerryberry or comment here and paste in a link to your blog
  • There's a Flickr group you can add to here.  All my Farmer's Wife 1930s blocks can be seen in this album and my 9-patch blocks in this album. 
Jo Green returns as a guest blogger next Monday!  I'm hoping she has a layout plan that we can see with her blocks.  See you next week x 
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Sunday, 10 July 2016

July at Village Haberdashery

A bright and colourful selection from Village Haberdashery for this month's sponsor post.  There have been so many glorious fabrics arriving  in the last few weeks.  I've picked my usual mix of dressmaking/quilting and fabrics which will work for both!  I do enjoy putting these together and getting the hit of c


From, row by row and left to right:
  1. Carolina Gingham 1" in coral. Yarn dyed large check from Robert Kaufman.  I've been using this fabric in my Nine Patch quilt blocks and it has a soft drapey feel.  I'm going to be ordering some more for a top- it would suit a Tova or an Alder Dress.  It takes gathers nicely and has a flow to it.  Works very nicely for quilting too!
  2.  Cotton Lawn in Artisan Splash.  Lightweight dressmaking cotton, wide width and gorgeous colours.
  3. Kona Matching Brush Strokes: the most incredible selection of Kona solids to co-ordinate with Brush Strokes.  Annie regularly matches up new ranges with co-ordinating Kona colours but this selection is so incredible either with the prints or on it's own.
  4. Megan Nielsen Reef Camisole and Shorts I love this new cute two piece pattern from Megan and it has potential to move beyond summer wear to casual shorts and a vest style woven top.
  5. Boardwalk Delight- I scream, You scream.  Art Gallery limited edition collection from Dana Willard.  Art Gallery cotton is exceptionally soft and smooth, more like a poplin than a quilting cotton so it's versatile works for quilting and clothing.
  6. Fen Dress/Top by Fancy Tiger.  Boxy dress and top pattern with sleeve and hem variations, pull over-style (no fastenings) which suits soft fabrics like double gauze, soft chambray, yarn dyed checks, knits and the dress features  pockets- always a winner.  Suitable for beginners and beyond. 
  7. Nani Iro Double Gauze Fuccra in Mauken Mallorca.  I feel like I can always include a Nani Iro double gauze in these posts.  There are so many around at the moment but many prints are popular and quick to sell and they are all so gorgeous!  Good for soft unstructured clothing styles e.g. Fen dress and for quilts or as a whole cloth scarf or blanket.
  8. Brush Strokes.  A painterly first collection of blooms and graphic prints from Holly DeGroot for Cloud9.  Organic cottons for quilting or dressmaking.
  9. Dapper Wovens: Check is in the Mail in Sky and Ocean.  Another yarn dyed woven check- this one is ½" squares and from Luke Haynes from Moda.  Apparently these are very soft indeed- I fancy this fabric for PJ pants or shorts. The Reef set would be ideal for warmer weather.   Check out her testers' version blog post to see how they sew up and look on real women
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Saturday, 9 July 2016

Thursday, 7 July 2016

Hit, Miss or Maybe?

Congrats if you get the reference, even I wasn't sure where I'd dredged it up from the depths of my memory although this clip brings it all back (with a bonus early Mel and Sue) from late 90s  Saturday morning show Alive and Kicking.  I was going through my photos and found some unblogged less successful makes and thought I'd share and talk about what went wrong.


Miss:  Starting with a basic woven T-top.  This  is Lisette for Butterick B6128 and like many sewists, I was looking for a good woven T style.  Matching my measurements to the chart, I made a size 10 out of some very thin cotton- car boot sale find I think.  It came out big and a little shapeless, probably due to the amount of ease added to an already boxy style.


The front darts are interesting and weren't too far off- they needed to be higher (maybe 1" ?) and a small bust adjustment would've helped reduce some fullness at the front.  I wasn't sure how to do this with this dart style andI thought it wasn't worth it as the style wasn't doing much for me.    



Miss: Next up, Tilly & The Buttons Agnes top.  I am a real sucker for a puffy gathered shoulder and I loved the elastic detail too, it's easy to sew but sadly I found this  styledid not work on me.


There were some other issues- the neck line was too low, the pattern sleeves were  narrow- these were I adjusted the pattern when I traced it.  The fabric was 100% cotton jersey and not very stretchy and as the Agnes is fitted throughout, it definitely benefits from lycra.  I also tried adding a 100% cotton ribbing band on the neck and it stretched out of shape.


Maybe it's a proportions issue with this style, I'm not totally sure but it just doesn't seem to balance on me.  I swiftly cut this up to try something else out.   I sold the Butterick and the Agnes patterns and bias skirt I was wearing then has gone on to someone else too!


This last one is a Maybe.  The pattern is Natalie top by Liola patterns.  I had a big crush on this style but I think I made the mistake of seeing it made up in drapey rayon and persuading myself that it was going to look like that in Liberty lawn.  It's not particularly fun to sew for a relatively simple shape and it's a little boxy sewn up but it comes together as you would expect  The front pleat details is quite fiddly- it needs to be very accurately sewn.  Liberty lawn is not good for a loose drapey style, it seems better suited to a little more formality- a fitted shape, tailored shirt and sharper details.  I do love the fabric so I have kept this one but it always make me feel a little wistful that I didn't make something else with it. 

 I do find that there are a few things to watch out for when pondering clothing patterns on dressmaking blogs:
  1. Be cautious if the blogger is wearing a lovely tan leather belt around the waistband area.  Yes, maybe she just likes to accessorise or maybe the waist isn't meant to be a fitted style and the belt is helping it along but I hate wearing belts so I am not able to pull-off the belted look and maybe the dress/skirt if not as fitted as it looks.
  2.  Dresses and tops made with rayon or viscose fabric.  I've fallen victim to this many times, a dress or a top looks so drapey and elegant,  it's made with  an amazing rayon challis fabric.   I make the same pattern in lawn and it just doesn't hang the same.
  3. Styles that just don't suit me-  very puffy shoulders, boxy, lots of pleats around the waist, high straight waistbands.  I'm sure there's more, that's just for starters.
How about you?  Are there styles that you fall for despite the fact they don't suit you?  Guilty of the wrong fabric choice?  Do share!

Monday, 4 July 2016

The Farmer's Wife 1930s Quilt Along, blocks 81 and 82, Peony and Pharlemia

Back for another week in the Farmer's Wife quilt-along and it's time to rise to the challenge of Y seams (block 81, Peony p. 240, letter p. 145)- or redesign blocks to avoid them (block 82, Pharlemia, p.241, letter p.38).    Peony caught me out a little bit, I was short on time and rushed in just expecting the partial seams around the middle square, but no, there's Y seams galore!  Jo Avery is guest posting on this block and she has English Paper Pieced this block which makes the construction a little easier- see her post here.   For those of you who are foundation paper piecing, it is possible to reduce the number of pieces slightly- I made the very small half square triangles E3/4, F3/4, G3/4, H3/4 each into a single triangle as it in no way affects the construction and makes more sense.  Otherwise, it is a question of sewing slowly and marking seam allowances on any pieces that you remove the paper from so that you can pin together accurately.  For a detailed post on Y-seams see here.  McCall's Quilting have a handy video on partial seams.




Fabric Credits
Penny Rose Hope Chest in Blossom Yellow and Teal
Kona White
Riley Blake, Ardently Austen text print.

By the time I got to Pharlemia block, I decided to redraw it to avoid the Y seams. You can chose to follow the original block in the book or download the Y seam free version for foundation paper piecing here.  As usual, ensure printing is at 100% and not to scale.  Sometimes PDFs are marginally smaller or bigger due to different computers/printers etc.  The pattern should be 6" square. 


Fabric Credits
Moda Solids Peacock (I think!)
Moda Garden Project, Vintage floral pear yellow
Unknown feedback repro floral.

{For both blocks, I link to sponsor shops for fabric bought from them and elsewhere for other fabrics}

If you do want to follow the book version, Amanda Weatherill on IG(@thepatchsmith) had some  great tips on joining the sections, she made the block back in January so you'll have to go back in her feed.

If you are using the no Y seams version, you need to separate your pattern into 11 sections by cutting along the blue lines.  No seam allowances are included as I don't have that sort of design software so you will have to allow for these on the outer edge of each section when adding the fabrics.

Rotary Cutting - based on no Y seams pattern
These are for foundation piecing so are cut larger than needed with any exceptions noted below.
  • Yellow large half-square triangles: cut (2) 3" squares; sub-cut each square in half along the diagonal to yield 4 HSTs
  • Violet Centre sq: Cut (1) 3 ½" square
  • Violet small HSTs: cut (8) 1 ¾" squares; sub-cut each square in half along the diagonal to yield 16 HSTs
  • Violet medium HSTs: cut (4) 2" squares; sub-cut each square in half along the diagonal to yield 8 HSTs
  • Green large HSTs (these are cut ACTUAL SIZE): cut (2) 2 1/4" squares; sub-cut each square in half along the diagonal to yield 4 HSTs.  Draw ¼" seam allowances on reverse side
  • Green diamonds: use templates and cut 8 in each direction (16 in total).  Template technique is detailed here and here.



Construction of the block is detailed on the pattern download.  When the outer half square triangles (I1, J1, K1, L1) are added use the stab pin method to match the seam points- the pin is placed perpendicular to the fabric,(see photos above) another pin is used to keep this in place  for sewing and the first pin can be removed. 

Top Tips for Foundation Piecing this Block
  • Pre cut all pieces
  • Use a water based glue stick e.g. Sewline, to stick the first piece of fabric on each section
  • Chain piece where possible
  • Press section seams open apart from the last two, they sit easiest to one side
I put together two more nine-patch blocks to add to my collection, these are 12 and 13.  I love pairing the fabrics to go with the 1 inch checks.



  • You can share your farmer's wife quilt blocks with the hashtags #fw1930sqal and for these blocks either #Peonyblock or #Pharlemiablock as well as #fw81Peony, #fw82Pharlemia
  • If you want me to take a look at your blocks, tag me on Instagram, I'm @verykerryberry or comment here and paste in a link to your blog
  • There's a Flickr group you can add to here.  All my Farmer's Wife 1930s blocks can be seen in this album and my 9-patch blocks in this album. 
Sarah Edgar of Pretty Fabrics and Trims is back as a guest blogger next Monday!
See you next week x 
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Thursday, 30 June 2016

Bra Making Success, plus Storing and Sourcing Supplies

Like many of you, sewing is my therapy.  I've made a conscious decision not to pursue it as my main income for fear of losing my love of the thing I most like to do,  Instead, I earn some money through it but most of my sewing is for fun.  But I am a greedy sewer. I want to sew it all.  Quilts, bags, clothes and now lingerie.  I wind myself up with the sheer amount of things I plan to sew- far more than is possible in the time available - and I often need to remind myself to slow down, finish what I am sewing now and worry less.  Since my 'Bra Making with Madalynne day', I've been sewing more undies.  Starting with an everyday bra, using the same pattern (I think this is being released by Simplicity some time in August) and a few tweaks on the class bra I made.


On this one, I narrowed the bridge- the gap between the two cups.  I also shortened the distance at the bottom of the band so the elastic and underwires are closer.  


This one isn't perfect, the underarm area still waved a little as I sewed it and probably needs a slight reduction towards the top of the seam- my sides are quite straight rather than tapering in at that point. It does fit better than any shop-bought bra that I own.  I literally cannot find a bra without padding to fit me.  My high bust is flat and bony and any bras without padding tend to gape forwards on me. The combination of stretch lace and power mesh - a supportive net that is on the inside of the cups and front band and is the sole fabric for the back band - is perfect for my small bust.   It goes against some bra maker's recommendations to use fabrics with little or no stretch I guess but this level of stretch helps my fit issues and still provides sufficient support.  It's not a good combo for a heavier/fuller bust but for mine it works well.  


This is the Sierra, a free pattern from Maddie Flanagan.  I made this for my daughter.  The support is light and is based on compression - squeezing  and flattening basically!  The front is stretch lace and the lining is a very firm power mesh, comparable to a control fabric.  There is no 3D shaping in the front cup area, instead the combination of cross-over and pressure holds everything in place.  This is an XS- too small even for me.  It's the sort of bra to wear for a sleep over, or a day at home.


Construction was straightforward apart from the edging around the band which involved zig zags following the scallops. that was tricky.   I do recommend adding an extra inch to the end of each side- the part where the hook and eye will go.  It just gives you a little extra room for fitting to the right level of constriction. 


This is Noelle, another Maddie free pattern which came out this week.  I made this last week during a shout out for testers.  I made a small as the sizing matched my measurements but I needed to size down and next time I'll make an XS but with the S darts as they are spot on.  I used a shape wear cotton/nylon blend for the main fabric and elastic lace for the bottom band.  The final crop top is a gentle relaxed fit, good for bed or hot days.  I'll use a power mesh to line the next one and aim for a more supportive feel.   There's a matching high waist panty with the pattern download too. 


Although I've had more success with bra making recently, I still feel very much the beginner.  It is a fascinating world.  I am in the Bra Making Forum Facebook group which is a supportive global network of  bra makers and shows just how many potential fit issues there are for all our differently sized busts.  Supplies are still an issue.  I buy kits here and there, I also buy supplies on eBay but it is hit and miss.  The Shapewear fabric I used for Noelle is wonderful quality but a random find.  I found ¼" elastic (needed for the straps) hard to come by.   I've also bought elastic or lace which is weak and will not survive the most careful hand washing and wearing.  Terminology is mixed and inconsistent - Power mesh and power net are used interchangeably but the density and tightness of them varies from flimsy net (often used for pretty knickers ),  to extra firm (sometimes used in control garments).  Power mesh can be double layered to strengthen it's compression effects.



It is an expensive business too.  I find I have a big draw full of supplies and yet if I want to make something I am always short of something.  Every bra or pair of knickers takes more elastic than you first imagine and a fair amount of thread.  It helps to have everything sorted into labelled zip loc bags and I recommend recycling your worn out bras- great for the strap sliders, wires and little bows or roses that all seem to last a lot longer than the rest of the bra.    These bits are also good for making a test bra when trying a new pattern.  For kits, I've recently bought from Natasha of Arte Crafts- although the $/£ exchange rate has changed rather dramatically since then- her pink Duoplex kit kit was lovely quality and I am looking forward to sewing it up. I also bought this kit from Freya of Elise Patterns a UK supplies seller.  I assume she is hand dying her kits  to create the different colour options  I ordered a yellow kit, it looks more orange/apricot that I was expecting  but it was good value and I think it will combine with blue nicely.


For UK and European bra makers, I have a list of suppliers here.  It is hard to always find exactly what you want in the right place, but things are improving.   I think the best piece of advice I can think of when it comes to bra making is to look at what you currently wear- check the lines of what fits you well- what style cup?  How does the back look?  Then look for a pattern which is similar.  I would also recommend looking at what other bra makers have made- look for someone with similar fitting issues.   I found a list of bra making blogs here at Sewsnbows  No bra pattern works for everyone,  I see lots of styles that will never work on me and I doubt that something like the Sierra would work on a large cup size.  Big or small busted, we all have issues and expecting one pattern to address everything is expecting a miracle from the pattern maker.   For bra making supplies in other parts of the world, check out Amy's guide on Cloth Habit.   There's a fascinating listen on Sandi Hazlewood's Crafty Planner podcast where she interviews Norma Loehr of Orange Lingerie.

On a side note. I've had a huge spike recently in viewing numbers - I don't know why but if you are new to this blog, Hi there!  And you are welcome to introduce yourself too...and if you came here via somewhere else, let me know, I'm curious!



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June at Eternal Maker

It's been a busy week- post Brexit moping up of tears (mine, husband and daughter), prom and preparing for a few summer events so I've squeezed this nine-of-the-best post  for sponsor Eternal Maker  into the last day of June.  Summer is currently on hold in the UK, nothing new there, so I've put a mix of garment weight fabrics alongside quilting cottons and  naturally, I had to include some double gauze.   Enjoy.


In rows, from left to right:

  1. Yukie Indigo Michael Miller Fabrics.  There's a more than hint of woven Ikat inspiration in this print.  Quilting cotton although you can see it made up in a man's shirt on the Michael Miller website.
  2. Cat Vintage Playing Cards by Cosmo Tex.  More stubby texture and a glorious colour and print. 
  3. Cityscape barkcloth from Hokkoh.  Slubby weighty cotton, great for bags, cushions and garments with a bit of structure.  I made a barkcloth skirt- see here.
  4. Meadow, Pink Orange, The Lovely Hunt, Lizzie House.  Deep saturated colour in this Lizzie House print on quilting cotton
  5. Maritime knit top (excellent pattern, hopefully fit my review in next week) from the gold version of this and it washes up beautifully in the machine.
  6. Double Gauze, Komorebi Blue Nani Iro by Naomi Ito for Kokka.  Amazing depth of colour in this beauty, Naomi Ito at her endless best. 
  7. Grey Stripe cotton jersey from Kiyohara.  Amazing quality fabric- look at the pic close up to get an idea of the weight, it has a bit of heft to it.  I've made a Maritime knit top (excellent pattern, hopefully fit my review in next week) from the gold version of this and it washes up beautifully in the machine. 
  8. Cat Vintage Matchbooks by Cosmo Tex.  Glorious print on a textured cotton- love the teal background and everything else about it.
  9. Cotton indigo dot, Robert Kauman.  Wide 57" floaty fabric- good for soft drapey effects, scarves or soft tops.