Holiday clothes, sun, sea and sand

Sun, sea and sand are three words that  don't always sit happily together in the UK but this weekend was all of those.  I finished my Pochee tunic just in time (I won't mention the lace underdress/petticoat that I made but couldn't wear as it was too weird and needs more work)

A bit posey, this is more like it

The Anna Maria Horner Little Folks voile is I the nicest fabric I have ever sewn with.  It is soft and silky, cuts well, doesn't slip and is a pleasure to sew.  This pattern is Diamond Mine pattern in Sky.  It feels just as lovely on and was great for keeping lily white skin covered on the beach.  I buy Pochee magazine from ebay and etsy seller pomadour24.

We stayed at Challaborough bay which looks on to Burgh island.  The hotel there was made famous by Agatha Christie and is a beautiful Art Deco building.  As England were playing on Saturday night we had the beach to ourselves

Damian taught Lula how to skim stones

All of us restored, rested and home.

Pochee Progress

I finished my toile for the Pochee tunic.  It looks a bit like a ghostly one armed Victorian night dress but it does the job and the fit is good

The Little Folks voile is cut and ready and I have been tailor tacking to put all the marks for matching up and  sewing the tucks.  I will post a bit of video after this as a tailor tack tutorial- if I can work it out.  I'm using the Sewmamasew June make it wear it thing to give me a kick up the backside.  Pochee 9 arrived a couple of weeks ago and I've been meaning to post pics

There are even more things I want to make in here than in the other one

I have already cut put the pattern for this, I am going to make it from the lacey cotton table cloth I found a couple of weeks ago so it will be a petticoat dress to wear under the tunic, but there's more...

Definitely going to make this dress

The full skirt crosses over at the back like an apron or wraparound style

Too many to choose.

Essentials for Pattern Tracing

I have been doing a lot of tracing recently, I am making a bag alongside the tunic- I cannot work on one thing at a time, sometimes I feel my head will burst it is so full of what I want to do, the rest of me can't keep up.

The fabrics for this are cut and interfaced, almost ready to make.

Back to tracing.  I have found these tools to help:

Dura-bac board, a large folding grided cardboard mat, I picked this up years ago at the car boot but I sometimes see them in charity shops, great to put on the floor or a even a bed if you haven't a large table to spread out on.  You can also pin and cut fabric out and use it to layout quilt ideas.

The layout pad is great for pattern paper. You can get these at any art suppliers- look where the art students go. The pieces are small at A3 size but more manageable than a roll or big sheet, I tape them together as I go along.  You can see through the paper- ideal for tracing but a lot less slippy than greaseproof and tracing paper, also easier to rub out mistakes.  Talking of which, a propelling pencil keeps sharp and draws a steady removable line.

And a grader's set square is great for adding seam allowances- metric, all my quilting rules are in inches, no good for Japanese patterns.   It moves easily on the paper and the diagonal is great for bias binding.

How to ....Tracing Japanese Magazine Pochee patterns

I am just getting to grips with deciphering the instructions in Pochee Vol 7.  I am breaking myself in gently by making a waistcoat, mainly as an exercise in understanding the diagrams and pattern pieces   before I start one of the tunics.

This pattern is one size.  The other patterns are M or L and there is a box with measurements so you know which you are.  They are based on a relatively slender Japanese frame.  Height is 160cm for all sizes, I am 164cm so for other garments I may need to lengthen hems/ sleeves etc.   The magazine works in the traditional Japanese way which for a western reader means from back to front and the instructions and diagrams scan right to left.  The first pages show the main feature garments in the mag, beautifully styled and pics/info about the designers.  There are detailed colour photo instructions how to make of a basic version of the main design of that issue and some key techniques that feature in many of the designs.  The instructions are all together in the middle and the pattern pieces are on big fold out sections ready to be traced off.  At the back there are more pictures of garments.   The photos of garments you can sew will have a How To Make caption and a page ref which will take you to the right page for instructions, pattern layout etc. 

In the instructions  there is the page refernce for the photo of the garment in a shaded circle (top left).  you can see the shape of the pattern pieces in the layout diagram in the bottom left.  On the far right there is info about fabric quantities although this is easier to read in the layout picture.  There is also a number in square brackets, in this case [20]  which will identify the pattern pieces on the fold out section,  and a number preceding it, to identify which fold out section to use.   Each fold out section has a key printed on it:

Look for the fold out section with your number in square brackets e.g. [20] and the pattern pieces will be printed on that sheet.  you might have to look at it for a while to find it- there will be the number next to the pattern piece.  You can see it in pic below half way down the right edge.

I tape layout paper over the top secured with little bits of masking.  Japanese patterns have no seam allowances so you need to add these.  I added 1cm for shoulder and side seams.  Instructions for the size of other hems, seams etc are on the layout.

On the waistcoat pattern pieces there are numbers 2 and 3 in circles with a line pointing, these mean add 3cm or 2 cm when you trace the pattern on these sections.  Sorry if I am stating the obvious but sometimes you need to spell it out!

In the layout pic above there is also a diagram for cutting bias strips, 2 strips 4cm wide 29cm long for the waistcoat ties. Two strips 3cm wide 65cm long for arm hole binding and 2 strips 3cm long which will join together to make a 120cm strip for the long neck edge- I think that is right!

I will cut these out and assembly a toile version over the weekend.  I'll post more on this next week as I get to grips with it.