Sunday, 9 October 2016

Late September Blogger Bundle: Simply Solids

Choosing a selection of fabrics for a project is one of my favourite creative tasks so when Justine from Simply Solids asked me to put eight fabrics together to make the September blogger bundle as part of the Blogger's Choice Stash Club, I jumped at the chance.

Friday, 7 October 2016

Transitions

The change from summer to autumn is a mixed one for me.  Whilst I'm happy to welcome the amazing low sun light of September, admire the colour changes and enjoy the great fruit and veg, I'm always sad to start wearing socks again and covering up.  There's a few things I've been trying out to ease the transition to less sunlight and shorter days.  This is all totally unrelated to sewing but I thought I'd share.


Cold showers
This sounds contrary.  I love to be warm.  My hands and feet easily get cold so to immerse myself under cold water each morning sounds like the very worst thing to do.  The idea came from a TV programme, The Doctor who Gave Up Drugs.  If you are in the UK, I would recommend watching it in the next week or so before it disappears from iPlayer.  I'm a bit of a pill popper, headaches, migraines, hormonal aches and pains etc.  I'm no stranger to an analgesic so this programme was an interesting watch.  One of the treatments Dr Chris Van Tulleken recommended do a woman suffering from long term depression was cold water swimming and in a round about way, that's what lead me to cold showers.  The cold seems to shock the body, make the blood pump faster and wake you up.  I struggle with darker mornings, even in early autumn.  I have a sunrise clock which definitely helps and the cold shower is helping too but more importantly it is preventing an early morning fuzz that I often wake up with and can quickly become a bad headache.  It's quick: straight from the bed, under the shower, and our shower is basic and above our bath so it's not the most salubrious of surroundings.  I have the water on warm just to ease myself in and then I turn both controls to cold and stand with my back to it.  Many of my migraines are to do with blood vessels constricting in my neck so standing with the cold water hitting my neck and upper back seems to help.  It takes my breath away every time, I often exclaim out loud.  My arms stay by my sides and I rotate slightly from side to side.  It's brief but it is exhilarating.  Before I know it, my towel is wrapped firmly round me, my head is clear and my body is buzzing.


Overnight Oats
I feel like I am very late to the party on this one but I love it even if I'm only a recent convert.  I usually have toast and porridge in the morning. Whilst I like the taste of porridge, it is a bit of a faff to cook, even in a microwave and the washing up a pain (we don't have a dishwasher).  Overnight oats seem to be be firmly associated with Slimming World and lots of recipes emanate from them.  I keep it simple and use a Bonne Maman jam jar.  
  • ⅓ cup of oats
  •  ⅓ cup of milk of your choice (I use sweetened soya)
Swish around to mix and top with frozen raspberries- as many as you fancy.
Add the lid, then leave overnight, not in the fridge as soya milk doesn't go sour like dairy and I don't like it very cold in the morning.
The next day you eat it as it is or add some yogurt (dairy or non) to the top.  There are endless variations on this theme if you Google for recipes.  It's so easy and fast, minimal mess and a great way to eat fruit in the morning, plus if you have to travel early in the morning , it's easy to pack and eat on a train.

 

3. 'Prep like a Boss'
This came about from watching The Body Coach programme in the summer and it just struck me as a common sense way for us all to eat more veggies.  The premise is simple: buy some plastic storage (I use takeaway style boxes) and regularly put aside time each week to cut and prepare some raw veg snacks.  This is the limit of my prepping and it's often combined with when I'm cutting up veg for an evening meal.  We have carrot sticks in one box, pepper slices in another, radish in a third and keep them topped up during the week.  It means that all three of us consume a lot more veggies at lunch time whether it's packed lunch or at home.  I know the nutritional content is reduced from being cut up the day before but the reality is if these veggies aren't cut and ready to dive into at the time of eating or leaving for work, it's not going to happen.  As a result of eating more raw veggies at lunch time, we're all eating less sugary snacks at lunch times.  I haven't cut sugar out or anything like that - I like cakes, biscuits and chocolate too much but a eating a stack of carrots and peppers keeps me from adding three biscuits to my lunchtime coffee more often than not.

4. Colour
We all do this in some way and the older I get, the more I feel the need to more colour.  A cheap bunch of flowers- the Asters below have been going for two weeks and I think they'll do a few more days.  I never used to buy cut flowers, I saw it as a waste of money but now I find that burst of intense colour is money well spent.  


5. Hygge
And buy Hygge or cosiness I mean snuggle up, you and your family, animals, gentle lighting, quilts and blankets, drinks, food.  Play a game, watch Bake Off, X-Factor,  Strictly or whatever you can watch and enjoy together.  Hygge is taking over the bookshelves as the Danish art of cosiness has gone mainstream and the publishers have got their lifestyle books (mainly photos of Scandinavian houses and how to tie twine around a tea-light) on point of sale.  It's not rocket science and it's what people have always done: huddled together as the lights get low and snuggle up.  My daughter found a cookbook with a wonderful array of biscuits and cakes for such an occasion, Fika & Hygge by Brontë Aurell of Scandi Kitchen.  It's beautifully written and photographed and the recipes are sublime.  Much of this inspiration comes from Sju Sorters Kakor, Swedish Cakes and Cookies which is the Swedish equivalent of the UK Bero cookbook- every house has a copy or multiple copies.  I found a copy of Swedish Cakes and Cookies on eBay for under £3 and it's amazing.  So many recipes and photos.  Maybe the raw veggie eating offsets the sweet snacks from these books ;)



So those are the things I've been enjoying whilst I put my sandals away and get the quilts out.  What are your recommendations for seasonal change? 


Monday, 3 October 2016

Simple Sampler Quilt Along Starts Today!

Fiona and Julie at the Sewing Directory are leading a Simple Sampler quilt along using the tutorials I wrote for their website.  It's all easy, beginner friendly and a great way to learn techniques that you many not yet mastered- pinwheels, foundation paper piecing etc.  I couldn't resist joining in and using scraps for a bright mix of prints.  This is a bordered four-patch block:


And here's a scrappy nine-patch.  All the blocks are 12" finished and the aim is to make a small lap quilt (3x4 block layout) or make each blocks twice for something larger 4x6 layout.


The pace is slow and the blocks are quick.  Check out #simplesamplerQAL on social media and find out more here at Sewing Directory.

Thursday, 29 September 2016

September at Eternal Maker

Time for my end of month visit to sponsor Eternal Maker.  Lots to chose from as ever including metallic yarn dyed fabric, printed Essex linen and double gauze batik prints.

Row by row, left to right:
  1. Elizabeth Hartman Pacific Fabrics- rabbits, droplets, anemones and more. 
  2. Manchester Metallic in Bronze.  New arrival.  Manchester is one of Robert Kaufman's yarn dyed fabrics and also has a slight texture and a soft drapey handle.  This colour way is still to be listed, in the meanwhile, email to order. Other examples (non- metallic) here and here.  Lovely for dressmaking, and my first thought for the Deer and Doe dress below. 
  3. Two Stitches Iris Tee. Pattern for jersey fabrics, age range 6mths- 12 yrs. Print and PDF options.
  4. Teal Dot Floral from Maribel, Annabel Wrigley for Windham Fabrics.  Love love love this range and this is my favourite print from it. 
  5. Euclid by Carolyn Friedlander, printed on Essex linen.   Beautiful stable linen/cotton blend, great for heavier quilts, bags, cushions and clothing. 
  6. Double gauze batiks from Moda, soft and floaty, 110cm wide.  Sashiko, Fans,  Gulls,   Could be an option for a lightweight Deer and Doe Aubepine dress.
  7. Deer and Doe, Aubepine dress
  8. Metallic Zips, metallic fabric tape, teeth and tab.  Three colours and two lengths to choose from.
  9. Mini Pearl Bracelets in Yellow.  Lizzie House for Andover, sunny coloured quilting cotton.


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Wednesday, 28 September 2016

Liberty Portfolio Case Tutorial: Republished

This tutorial to make a Portfolio Sewing Case for on-the-go sewing supplies was first written for Liberty Craft blog.  Liberty had just released their Lifestyle quilting fabrics and I was interviewed by Michelle, their social media guru and I wrote this organiser pattern for the same feature.  Liberty Lifestyle fabrics are no more and Liberty recently overhauled their website, changed their web address and focus with the apparent loss of all the Craft blog tutorials so on request I've posted the same details here for any who with to make it.  It's quite an involved make but all the pieces are rotary cut- no pattern pieces, and it is a truly useful zippy holder for all your sewing paraphernalia. 
You will need:

Materials
Liberty Lifestyle Bloomsbury fabrics used throughout
Red Fabrics:
4 Fat Eighth cuts in each of these prints: Rich Red Blue Dance, Magenta Teal Dorothy, Rich Red Blue Leonard, Rich Red Blue Charles for case outer.  The spool holder is also cut from one of these fabrics
Pale Blue fabric:
1 Fat quarter blue Leonard for case outer
Dark Blue Fabrics:
4 Fat Eighth cuts in each of these prints: Magenta Teal Dance, Rich Red Blue Dorothy, Rich Red Blue Lytton, Rich Red Blue Catherine
1 Fat Quarter Rich Red Blue Dorothy for lining pockets
1 Fat Quarter Rich Red Blue Lytton for lining background
1 Fat Quarter Magenta Teal Dance
1 Fat Quarter Rich Red Blue Woolf for binding and zip tab and handle
1/2 metre lightweight woven cotton fusible interfacing for lining pockets and handle
1/4 metre heavy fusible fleece Vilene H640 for outer case
Cotton machine piecing thread
Co-ordinating thread for topstitching
26” Open-end nylon teeth zipper

Tools
Rotary cutter
Quilt ruler
Pencil
Disappearing fabric pen/water soluble chalk pencil- test on a fabric scrap
2 sets small press-stud fasteners
Zipper foot for your machine
Walking foot for your machine (optional)
Zipper charm- optional


Cutting
From the red fabrics:
Cut 3 squares, 3 x 3 1/2” and 2 squares 1 x 1” from each fat eighth for case outer  Cut 1 strip , 1 x 8 1/2" for spool holder from one red print
From the pale blue fabric:
Cut 34 rectangles, 1 x 2 1/2" sashing strips and 1 rectangle 1 1/2 x 10” for case outer
From the dark blue fabrics:
Cut 3 squares, 3 x 3 1/2” and 2 squares 1 x 1” from each fat eighth for case outer  From Lytton, cut rectangle 10 x 15” for lining
From Dorothy, cut 1 rectangle 10 x 11” for large flat lining pocket and another rectangle 9 x 11” for pleated bellows pocket.
From Dance, cut 1 rectangle 7 x 10” for small flat lining pocket
From Woolf, cut 1/1/2 x 55” bias strip for binding.  See this link for bias strip cutting:
http://www.jaybirdquilts.com/2011/02/quilt-binding-basics-part-2-bias.html
You will need to piece bias strips together.  Here is a link for this:
 http://www.jaybirdquilts.com/2011/01/quilt-binding-basics-part-1.html
Cut 1 rectangle 1 3/4 x 3” for zipper end trim.  Cut 1 rectangle 2 1/2 x 6 1/2”

From lightweight cotton interfacing:
Cut 1 rectangle 10 x 15” for lining
Cut 1 rectangle 5 1/2 x 10” for large flat lining pocket
Cut 1 rectangle 3 1/2 x 10” for small flat lining pocket
Cut 1 rectangle 4 1/2 x 10” for pleated bellows pocket
Cut 1 rectangle 2 1/2 x 5 1/2” for handle

From fusible fleece
Cut 1 rectangle 7 x 10” for case outer

Please Note:
·      Read the pattern in full before starting
·      Seam allowances are 1/4” unless stated otherwise
·      RS=right side of fabric WS=wrong side of fabric

Finished size 1 x 7 ½ x 10”


Assembling the Outer
i.   To make the hourglass blocks, pair the red and blue larger squares and place RS together.  On WS of each top square, draw a diagonal line in pencil.  Stitch 1/4”either side of this line using a small stitch (see a).  Press flat, rotary cut across opposite diagonal (see b), then cut the pencilled diagonal (see c).  Press triangles open pressing the seams towards the darker triangle each time.  Pair triangles together (see d), the seams should nest together at the centre seam point.  Stitch the diagonal seam, being careful not to pull the fabric as the bias will easily stretch.  Press this seam open.  You will need to make 24 hourglass blocks.




ii. Trim the blocks to 2 ½” square taking care to line up the diagonal with the ruler markings as you trim.


 iii. Arrange blocks into 2 panels each having 3x4 blocks.  You can experiment with the layout by placing the blocks in different colour arrangements.  Place narrow sashing strips and small red and blue squares between the blocks.  Sew blocks and sashing strips together in rows (see diagram below).


Press seams towards the sashing.  Sew sashing and small squares together in rows ( see pic).  Press seams away from square.  Sew the rows together as in the picture.  Press these seams towards sashing.


iv. Add light blue strip 1 1/2 x 10” between the two outer case panels.   Press seams towards the strip.
 v.  Press WS of outer case well to flatten seams.vi.   Apply fusible fleece to WS following manufacturers instructions.  Allow to cool and set to one side.

Making the Lining and pockets
  i.  Apply woven interfacing to the lining to WS of the fabric following manufacturers instructions.  Allow to cool.  Fold each pocket fabric in half lengthways to make 3 pockets- a large flat pocket measuring 5 1/2 x 10”, a small flat pocket measuring 3 1/2 x 10” and a pleated bellows pocket measuring 4 1/2 x 11”.  Open out folds and press interfacing pieces to half of each pocket on the WS of fabric lining up with the fold line.  Allow to cool.
 ii.  On all 3 pockets, topstitch along the folded edge. 
iii.  Place large flat pocket over the interfaced lining.  Pin to secure.  The raw edges will be far left; the folded pocket edge will be left of centre.  Baste the edges to the lining within the 1/4” seam allowance. 
iv.  Place small flat pocket over the large flat pocket, aligning the long raw edges to the far left side.  Pin to secure.  Use a chalk pencil or disappearing marker to draw three lines that will form pocket channels.  Follow the measurements in the picture.  Stitch on the lines through all layers with coordinating thread securing each end of the stitching line with forward and reverse stitching.



 v.  Place the pleated bellows pocket over the far right end of the lining.  Baste the two side edges within the 1/4” seam allowance. Use a chalk pencil or disappearing marker to draw two lines that will form pocket channels, each is 2” from the outer edges.  Stitch through all layers with coordinating thread securing each end of the stitching line with forward and reverse stitching.


vi.  Make 1/4" folds in the excess pocket fabric at the stitching channels evenly on each side.  Baste the lower edge of the pocket within the 1/4” seam allowance to hold pleats in place.

Attaching The Spool holders
i.    Press the raw edges in 1/4" all around the red strip 1 x 8 1/2".  Bring the 2 long edges together and press the fold.  Stitch along the fold to make a long thin strip.
ii.  Take the lining, RS facing and with a chalk pencil or disappearing pen, mark a centre point along both long edges.   Join the points to make centre line on the lining.  Mark the centre of this line
iii.  Pin the centre of the thin strip to the centre of the line and sew securely through the strip and the lining
iv.  On the centre line, mark 2” from the outer edge.  Stitch the female part of a press stud on this point through the lining
v.   On the fabric strip, sew the male part of a press stuff to the underside of the fabric strip so the press stud meets with its other half on the lining.


Preparing the case for binding/Adding the handle
i.   Take handle fabric strip 2 1/2 x 6 1/2" and interfacing.  Apply interfacing.  It is shorter than the fabric strip so there should be 1/2” at either end of the strip with no interfacing.  Fold the strip in half lengthways, press and open out.  Fold long edges into the fold, press and pin.  Stitch through these layers and the opposite folded edge.  Press short raw edges in 1/2" at both ends of the handle.  On the RS of the outer case, mark, place the handle on the centre light blue strip and pin the two folded ends placing the handle centrally (see photo below).  Stitch a small 1/2” square and X to secure at each end of the handle, as in the photo.


ii.   Place lining and outer case WS together.  Pin around edges and machine baste within the 1/4” seam allowance.
iii.  Using a coordinating thread, place the outer case facing up and stitch in the ditch of the central fabric strip seam lines.  The stitches will disappear into the seam of the outer case and will be visible on the lining
iv.  Mark 1” points from each corner on the outer case.  Use a small glass or large spool to round the corners.  The curve should run to the very edge of the fabric at the 1” points.  Trim the corners following this line and baste the edges together as before within the seam allowance.


Adding the Zipper
i.    Open the zipper and starting on the lining side, fold the zipper ends diagonally and align with the centre line of the lining.  The zipper teeth should start just after the two stitching lines (see photo below for reference).  Around the curves, you will need to cut 1/8” deep cuts in to the edge of the zipper tape 1/8- 1/4" apart.  This allows the zipper to lie flat around corners.  Use lots of pins and pin the zipper teeth down at the corners. 


The end of the zip aligns with the centre front line on the opposite side and the end is folded inwards and pinned down (see photo below).



ii.   Using a zipper foot, starting on the right side at the start of the zipper, stitch slowly within the 1/4” seam allowance, removing pins as you sew.  The corners are tricky. Take your time and make sure the teeth are flat and pinned down as you sew around the curved edge.  The stitching will not be visible in the finished organiser so you can start and stop and redo areas if needed.  At the end of stitching both sides, check the zip closes properly and trim the overhanging ends at the top of the zip.

Zipper End Trim
i.    Hand sew the bottom of the zipper with an overstitch, just before the metal end.  Trim off the metal end.  Take the zipper end trim fabric rectangle, press 1/4” all around the edge and bring the short edges together and press the fold. 
ii.   Place zipper end within the folded trim and hand sew the edges.


Adding the bias binding

i.    Place the binding strip RS down on the ironing board, press 1/4” fold all the way along the top edge.  Trim the far left end diagonally and fold the edge in by 1/4" and press.


ii.      On the lining side, baste the zipper teeth to lie flat at each corner.


iii.  Starting at the centre front line on the outside of the organiser, pin the edge of the binding aligning the edge with that of the case.  Pin as far as the beginning of the first corner. Take a pencil and on the WS of the binding, make a pencil mark along the fold line for a couple of inches.  Pin the binding around the corner.   Use lots of pins!

 Slowly stitch a 1/4" seam from the start to this point, using the pencil line to continue the 1/4” seam around the corner.  Secure the beginning and end of the stitching.  Pin along the straight edge and to the next corner and then repeat as above for each corner.

iv.   At the end of the binding, let the binding ends overlap for an inch and trim the binding end diagonally.
Overlapped binding ends: wrong side

Overlapped bindings: right side


v.    Join the folded end at the start of the binding to the fabric underneath with small hand stitches.    
vi.  On the organiser outside, lightly press the binding away from the seam line.  Fold the edge in so the fold line just covers the zipper seam stitches.  Hand sew the binding down on the inside of the organiser.
vii. Add a zipper charm if using.

Your sewing portfolio organiser is complete!  It is now ready for all your notions and tools!


If you'd like to see the same case but with different fabrics, Lucy of Charm About You is a keen hand sewer and English Paper piecer and she made a wonderful version with a fabulous selection of Denyse Schmidt prints for the inner- see it here.  And if you make one, get in touch and show me!